Blackened Heavens

I have promised a few folks a review for the new play, The Heavens Are Hung In Black by James Still. Here 'tis.

My brother Forrest and his wife Linda accompanied Sue and me. They've really got Ford's Theater fixed up nicely with the new renovation, evidently adding some space from what must have been taken from a nearby area to make a nice lobby, new bathrooms, etc., in addition to fixing up the old interior. The stage, though, still admirably had the original (quite stained) hardwood flooring. BTW Sue only agreed to go in and take her seat after Forrest promised not to jump over the rail of the balcony yelling sic semper tyrannis! if it turned out the play was a polemic against the South.

All kidding aside, I too was a bit concerned that the playwright would just be some dufus endowed with a shaky Pop History notion of the war, and proceed to show all he knew about it was that Northerners were supposed to be the good guys and Southerners the bad guys. But everyone seemed to enjoy the show with agreement that the author and the production took great pains to be quite authentic, willing to show even a bit of clay feet peeking out beneath old Abe. Overall, the evidently intended purpose of creating a sympathetic character who was having a terrible year was pulled off quite nicely.

It impressed me that the production was so concerned about getting the details right, bearing in mind I'm not an expert on Lincoln and furthermore apparently loaned out a Q&A type book on Lincoln which I planned to use to check out some facts. But I am well read enough on the Civil War to pick up pretty quickly any egregious errors or at least raise an eyebrow if something didn't seem quite right. For example, I believe they got Lincoln's voice right, it was a bit squeaky and unimpressive overall; I'm pretty sure that is supposed to be right. Furthermore, Lincoln definitely comes off somewhat as an Illinois/Indiana/Kentucky backwoodsman in his mannerisms, an idea about authenticity that could easily have been discarded. The show, though, just seemed to be about nailing these things down well.

Now all this is in spite of the fact that the program guide advises that the play is "an historical fiction ... [that has] stretched, rearranged, or even changed some of the facts." So I couldn't argue with anyone who might object in some way to this particular portrayal of Lincoln, but would just say that surely we have to grant the license to do so and accept that pretty standard method, if such a play is to be possible at all. Again, I for one did not come away shaking my head at any fictions, but instead was impressed by the overall seeming accuracy of the portrayal. The idea for the play is that this year probably was extremely difficult for Lincoln. He loses his son Willy to disease, having to simultaneously deal with the effect this loss has on his wife. And the war is not going well. Lincoln interacts with a whole host of characters, dead or alive. Stanton, Chase, Jeff Davis, to name a few. John Brown has several appearances; the vehicle for including such as Brown (or Jeff Davis for that matter) is to have them show up in what would appear to be either while Lincoln was dreaming or in reveries of near-madness brought on by lack of sleep and anxiety. Lincoln in fact is shown to have trouble distinguishing between what is real and what is not in such moments; he meets an old Springfield friend while out on one walk in the middle of the night and later tells someone about his amazement at meeting him, only to be told the man had died some time ago. Now I don't know if I've heard any stories that old Abe was getting that crazy in those days! But this type of play, reminiscent maybe of ghosts appearing in Shakespeare or Dickens, has always been a type I like and this one carries it off quite successfully in my opinion. I'd say there is an excellent chance the play will be shown in other venues, perhaps even on TV.

Certainly we were interested in the play as "Civil War Buffs", and found it satisfactory from that point of view. Authenticity sufficed, and such buffs as ourselves just like running into and identifying the various characters too. We ran into one mystery none could solve: in the first act, set in late Spring 1862, Lincoln rails about McClellan (who takes a real beating in this play) failing to cross the Potomac because pontoon boats turned out to be constructed too large to get up the C&O Canal. An internet search turned up this. McClellan describes a failed operation whose purpose was " ... to open the Baltimore and Ohio Railroad by crossing the river in force at Harper's Ferry" It's certainly easy to believe McClellan placed little priority in this from what we know now, and a good vehicle for showing how Lincoln was getting so frustrated with that general. I would judge this to have been the most obscure item brought out in the play.

Everything else is pretty well known, certainly to Civil War buffs. I was pleased to see that the production did not try to change facts about the reality of what the conflict was about. Nor was any decision made to shirk from the reality of Slavery's role. It was a nice balance. Above all, it was surprising and satisfying to see Lincoln voice the opinions he had in those days about Abolition and Racial Equality. Lincoln, Stanton, and Chase have various debates during his reveries that quite frankly express concern about what to do with newly emancipated slaves, and Lincoln flatly expresses to Hay that he is quite mistaken if he thinks the new president's opinions against Slavery mean that he is for Equality of the Races. John Brown, Stephen Douglas, and Dred Scott have some success pointing out contradictions in some of the stands he has tried to take. And we didn't see ordinary Northerners pop in and claim the populace was all for Negro suffrage North and South all along, etc., what was he waiting for? just these other well known characters we knew had those kind of thoughts radical for their day.

The most poignant moment for me was when Lincoln shows up at a Shakespeare play's rehearsal that Edwin Booth was doing with some other actors. Sue thinks it was Henry V. Lincoln surprises the other actors by knowing some of the lines. The actors all fall silent in surprise as he then does a Soliloquy: the lines are those of a King who ponders the terrible effects of war on people, the death and destruction, and ends by declaring that any King who wages war had best be able to justify to those dead and their families that a just cause was involved. Of course I don't have the exact lines and couldn't find exactly this in searching an online version of Henry V. I might have missed it of course, and it is also possible the lines were Lincoln improvising, but in any case it was quite effective and touching.

Bottom line: all Civil War Buffs or Lincoln Admirers see this play if you ever get a chance.

Apologies to RSS folks, I don't seem to be able to put stuff out without going back and doing fixes.